Korean Fashion: From Royal Court to Runway

 

SVG
GWTM_Ex_Korean_From_h1_850x200Created with Sketch.

 

 

August 20-December 22, 2022

Innovations in fashion, music, film, and other arts have propelled Korea to the forefront of the world’s creative stage. This major exhibition explored the extraordinary transformation of Korean costume and fashion over the last 125 years, from the late Joseon dynasty to today’s couture and cutting-edge street fashion.

 

About the Exhibition

After centuries of relative isolation, Korea opened its borders to international trade and diplomacy in 1876, but for years the country remained little known outside of Asia. Korea’s participation in the Chicago World’s Fair in 1893 changed that. Visitors to the Korean pavilion were dazzled by the colorful displays of traditional clothing (hanbok), such as embroidered silk jackets and robes made for the Joseon royal court.

Korean Fashion: From Royal Court to Runway presented some of the same garments that were showcased in Chicago in 1893, as well as other rare examples of ceremonial and everyday clothing from Korea’s last royal dynasty. Continuing into the modern era, the exhibition showcased the fashions of pioneering Korean designers such as Nora Noh in 1950s and 60s, and Lee Young Hee and Icinoo in the 90s, the first Korean designers to present their collections on Paris runways.

In the 21st century, South Korea has emerged as a pop culture powerhouse and one of the most fashion-forward nations in the world. This exhibition presented fresh-off-the-runway ensembles to reveal how contemporary designers such as Lie Sang Bong blend the historical and avant-garde, local and cosmopolitan, and high and popular culture to create a distinctive and compelling Korean voice.

Korean Fashion is accompanied by a gallery guide.

Acknowledgements 

Major support for this exhibition and related programming was provided by the Korea Foundation, the E. Rhodes and Leona B. Carpenter Foundation, and Bea and Thomas Roberts. Additional support is provided by Norma and Ted Lonoff, Roger and Claire Pratt, and Barbara Tober in honor of Dr. Young Yang Chung. The museum extends special thanks to the Embassy of the Republic of Korea, the Korean Cultural Center Washington, D.C., Dr. Young Yang Chung and the Seol Won Foundation, and the GW Institute for Korean Studies.

 

Detail of a dress with a bold, geometric patterns in shades of blue, teal and yellow with thick black borders
 

Lie Sang Bong, Dancheong dress (detail), 2012. Collection of Lie Sang Bong.

Woman's ensemble displayed on a dress form with embellished red jacket, fastened on the right with a black ribbon, and a full skirt in deep blue
 

Lee Min-jung, costume from the KBS TV drama “The Princess’ Man,” Korea, 2011. Collection of Lee Min-jung.

A young Korean woman in a breezy ensemble inspired by traditional hanbok, with one hand in her hair and the other holding a blue satchel
 

Hwang Leesle, Bingo jeogori, Yegam dress, Korea, 2019. Private collection. 

 

Traditional red robe embellished with floral motifs, and with wide, striped sleeves outstretched
 

Bridal robe, Korea, 19th century. © The Field Museum, Image No. A113982c, Cat. No. 33159. Gift of J. F. G. Umlauff, H. Higenbotham. Photo by John Weinstein.

 

Rectangular cloth of multicolored patchwork
 

Patchwork wrapping cloth, Korea, late 19th/early 20th century. The Textile Museum Collection 2021.19.3. Gift of David and Marita Paly.

Lime green robe fastened at the base of the neck with a long blue sash, with multicolored striped sleeves
 

Boy’s festive coat, Korea, 1980s. The Textile Museum Collection 2022.3.14. Gift of Dr. Young Yang Chung.

 

Rectangular fabric badge with two white, growling panthers surrounded by swirling purple clouds
 

Rank badge, Korea, 19th century. Cotsen Textile Traces Study Collection T-0286b.

Video Tour